ROMEO CLINE

The four basic methods in the disposal of fine fine art artists are relief, intaglio, planographic together with screenprinting.

Relief printing may be the oldest of the four. The artist uses pointed tools to cut away at the surface of a material they want to use to print using. At first artists utilized wood and created the woodcut. They would gouge available slivers of wood using a woodblock using their knives to leave only raised edges. These raised portions may receive ink which using a laid piece of paper about them could transfer an image on to the paper, creating a printing. To get an even pressure in the wood to transfer that ink a press is used. One could also work with a spoon or rounded tool to position pressure on the paper to take delivery of the inks. Centuries later linoleum is used as well creating the linocut print.

Intaglio stamping is pronounced "in-Tah-lee-oh". It's essentially the opposite associated with relief printing as ink is in the grooves rather than on the raised relief of some sort of woodcut. The prints produced using intaglio printing are mainly engravings and etchings.

Engravers use sharp tools called burins to cut into a metal plate made with copper and later material. By incising minuscule grooves in the metal the engraver creates an image that can be printed. Ink is rolled onto the metal plate, the ink penetrates the incisions and also the excess wiped off. Paper is used on the metal plate and under great pressure with a press an engraving is actually pulled.

An etching is another type of intaglio print in which the artist applies a varnish substance for a metal plate and in that case draws with needle-like tools on the metal plate. The tools expose the metal by removing the varnish, called ground. Acid is then applied to the metal plate and also the acid cuts into the instances the plate that have been exposed by the deleted ground. The metal plate is actually then inked and a great etching is pulled from a press.

Planographic prints is the domain of lithography, which implements a stone to apply the art work. The artist can draw immediately for a lithographic stone with fatty pencils and crayons. A substance is then layered on the drawing that will allow the drawn area to accept inks. The stone is then inked and then a lithograph print is usually pulled. This method was discovered in 1796 by Alois Senefelder in Austria.

Screenprinting is the most recent addition to fine art printing, it is also known as a serigraph. It is similar to a stencil in the fact that artist stomps out the area not to be printed for a screen with special glues. Screenprinting is usually associated with commercial printing but American pop painters loved the ease it offered in creating fine art.
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